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Context Although Bosnia and Herzegovina has a significant supply of energy resources and is one of the few countries in the Balkans that exports electricity, it does not produce energy sustainably. At the same time, power consumption is increasing in the country due to inefficient usage, while the widespread use of wood and coal as fuel causes air pollution and CO2 emissions.
The existing policy framework does not provide the conditions necessary for an increased use of renewable energy and meeting the country's obligations under the Energy Community Treaty (EnCT). There is a lack of relevant programmes, knowledge and practical experience. Coordination and cooperation in the sector between the state, the entities and the lower levels of government remain generally weak. Hardly any networking or cooperation takes place between the key actors.
Objective The preconditions have been put in place for a more conducive environment that encourages the increased use of renewable energy in Bosnia and Herzegovina. Approach By supporting the improvement of the legislative and regulatory framework for renewable energy and developing new market-based and target-oriented incentive schemes, the project aims to make the renewable energy sector more attractive to private and public sectors, local and international investors. The project cooperates with partners, both at the state level and in each of Bosnia and Herzegovina’s two entities, including the respective ministries of energy, and the electricity regulatory commissions. It also provides technical assistance to the renewable energy operators in both entities. Together with these partners, the project is aiming to improve and strengthen in particular the framework conditions for the increased use of renewable energy in Bosnia and Herzegovina.
Full text of ' Digitized by the Internet Arcliive in 2014 I OVERTONES CURTIS INSTITUTE OF MUSIC Vol. 1 Fall 2010 C I Generous Donors 2009-10 DAVID LUDWIG, PH.D., most recently of the Composition and Musical Studies faculties, assumes a new role with the 2010-11 school year: artistic chair of Performance Studies. He will oversee the programming and management of more than 150 public and private performances by Curtis students each year and will remain on the Composition faculty. 'David has been a valuable artistic and educational asset to Curtis in many capacities,' said Curtis President Roberto Diaz. A foundation course in human values and professional ethics rr gaur pdf download.
'He is well positioned to oversee our school's distinctive 'learn by doing' approach.' Ludwig joined the Composition faculty in 2009. A member of the Musical Studies faculty since 2002, he served as acting chair of Musical Studies for the past two years and is artistic director of Curtis 20/21, the school's contemporary music ensemble.
He recently curated Curtis's celebration of the Samuel Barber centenary. Ludwig is an active composer, whose music has been performed internationally by leading musicians. Bs 2654 pdf free download.
JONATHAN COOPERSMITH, a member of the Musical Studies faculty since 2005, has been named the chair of that department after a two-year national search. 'Every student at Curtis moves through a challenging musical studies curriculum,' said Curtis Dean John Mangan. 'With his wide-ranging knowledge and creative approach to complicated material, Jonathan will be a superb steward of this process.' Coopersmith has taught harmony, counterpoint, music history, and solfege for singers at Curtis since 2005. He also moderates the Conductor's Forum, a career development course for conductors. A native of Princeton, N.J., Mr.
Coopersmith is the artistic director of Nashirah, the associate conductor of the Philadelphia Singers, and a guest chorus director of the Philadelphia Orchestra and the Pennsylvania Ballet. Clarinetist RICARDO MORALES joins the major performance faculty after coaching woodwind chamber music since 2008. 'We're delighted that Ricardo will spend more time teaching our students,' said President Diaz. 'He is one of the greatest clarinetists of our time and a tremendous artist, and our students will benefit greatly from him.' Morales joined the Philadelphia Orchestra in 2003 as principal clarinet.